Hiroyuki thinks things are going well because he’s walked home with Nao a few times, but what he doesn’t realize is that he’s barely a footnote in this episode. Nao’s always admired a painting by Renjou Yukito, that hangs on the wall in the art room, and one day she comes face to face with the handsome Kaitei High School student himself. Yukito is visiting his old middle school to remember his happiest days, and he agrees to help Nao out with her painting. Cue the hero-worshipping scenes, complete with a stunned Hiroyuki spying on the happy painters.
Unfortunately for Nao, Yukito wants to travel the globe and paint poor people after his graduation. Because Japan doesn’t have any poor people, Yukito will probably never return. When graduation day comes, Nao waits for Yukito for 2 hours before noticing the letter he left. Yukito couldn’t bear to say goodbye to Nao, but he thanks her for having such faith in him. Everyone else thought his globe-trotting plan was really stupid, but Nao’s encouragement meant a lot to him. In return, Yukito went ahead and painted Nao into the picture in like 10 minutes, which makes Nao look that much slower. Nao can only sob (alone) on the rooftop as Yukito’s plane passes overhead.
Reaction:
Ok, so if Nao sees Yukito every day, that means he touched up her painting and added Nao to the painting in the course of a single school day. It’s no wonder Nao never finished the painting; that kinda stuff is really intimidating. It’s one thing when you’ve got Yukito just touching up your shadows, but suddenly he paints in a main foci of the scene. How is Nao supposed to compete with that? Speaking of which, I wonder if Hiroyuki is going to be able to move in for the rebound now. He really hasn’t done much to get Nao to notice him, but I did admire his ability to not gloat aloud when he heard that Yukito would never return to Japan.
At first I was somewhat bored with Nao’s story, but the second half of it was very touching. Nao’s love was different from everyone else’s, and I liked the way it played out. I think the juxtaposition of the unfinished relationship and the unfinished painting was especially nice, and yet both were beautiful memories for Nao just the same. It’s interesting that Mamoru mentions in this episode that “it is better to be dumped clearly.” I also appreciated Kei laying the massive guilt trip on Ayumi and Koyoi, and it was good to see that Kei ended up giving the plastic kappa to Etsu anyway.
Hatsukoi Limited 09
Summary:
Hiroyuki thinks things are going well because he’s walked home with Nao a few times, but what he doesn’t realize is that he’s barely a footnote in this episode. Nao’s always admired a painting by Renjou Yukito, that hangs on the wall in the art room, and one day she comes face to face with the handsome Kaitei High School student himself. Yukito is visiting his old middle school to remember his happiest days, and he agrees to help Nao out with her painting. Cue the hero-worshipping scenes, complete with a stunned Hiroyuki spying on the happy painters.
Unfortunately for Nao, Yukito wants to travel the globe and paint poor people after his graduation. Because Japan doesn’t have any poor people, Yukito will probably never return. When graduation day comes, Nao waits for Yukito for 2 hours before noticing the letter he left. Yukito couldn’t bear to say goodbye to Nao, but he thanks her for having such faith in him. Everyone else thought his globe-trotting plan was really stupid, but Nao’s encouragement meant a lot to him. In return, Yukito went ahead and painted Nao into the picture in like 10 minutes, which makes Nao look that much slower. Nao can only sob (alone) on the rooftop as Yukito’s plane passes overhead.
Reaction:
Ok, so if Nao sees Yukito every day, that means he touched up her painting and added Nao to the painting in the course of a single school day. It’s no wonder Nao never finished the painting; that kinda stuff is really intimidating. It’s one thing when you’ve got Yukito just touching up your shadows, but suddenly he paints in a main foci of the scene. How is Nao supposed to compete with that? Speaking of which, I wonder if Hiroyuki is going to be able to move in for the rebound now. He really hasn’t done much to get Nao to notice him, but I did admire his ability to not gloat aloud when he heard that Yukito would never return to Japan.
At first I was somewhat bored with Nao’s story, but the second half of it was very touching. Nao’s love was different from everyone else’s, and I liked the way it played out. I think the juxtaposition of the unfinished relationship and the unfinished painting was especially nice, and yet both were beautiful memories for Nao just the same. It’s interesting that Mamoru mentions in this episode that “it is better to be dumped clearly.” I also appreciated Kei laying the massive guilt trip on Ayumi and Koyoi, and it was good to see that Kei ended up giving the plastic kappa to Etsu anyway.
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