So, in reference to an article that Scott posted up, which was in turn inspired by an article that Satoshi pointed out, here are a few thoughts about fansubs. Of course, I can see the evils and dangers of fansubbing, but I wanted to make a few counterpoints as well. Now this is in no way meant to be a diss or even a true rebuttal; I simply like to play devil’s advocate. In fact I was going to leave this as a comment, except that it started to get too long, and I totally respect Scott’s opinion on the matter.
The natural question is whether or not the evils of fansubbing outweigh the good. If there weren’t two sides to the coin, we wouldn’t have any argument. Scott declares that fansubs are killing the anime market in the US, but I can’t say I’m convinced. One of the main reasons I disagree is that the anime market is quite new in this country. It’s not as if fansubs are impossible to compete against either. When dealing with fansubs, you often give up picture quality, timeliness, translation quality, and availability in exchange for the fact that the fansub is free. Although it’s not a perfect analogy, bottled water has shown that you can compete against free products. I’m of the opinion that anime marketers in this country have not yet learned to market to their audience properly yet. With such a nascent industry, how can one state definitively that the fansub community is killing the market, especially when the market was born rather recently out of the hard work of the fansub community? Was there a golden age of anime sales in America that suddenly died as fansubbing activity increased? I’m not ruling out this possibility, it’s just that I’d like to see some data or studies before I will be swayed to believe these claims.
When I say availability, you have to think about series that are not hot on the fansubbing radar. As an example, I have been waiting to learn the end of Kaleido Star for goodness knows how long. As soon as I move to a place where I have more space (I have to store my manga in plastic bins under the bed for lack of space), I plan on purchasing the series, especially since it’s unlikely that the fansubs will ever finish up. However, if not for the fansubs, I would never have touched KS with a 10-foot pole. If you wanted to watch Naruto episode 136, and it was out on both fansub and DVD right this instant, the fansub would definitely be more popular, but what about if you are looking for the arc where Haku met his end? Here’s where the DVD market becomes more attractive, because torrents don’t last forever, and anyone who watches fansubs can tell you that older episodes of even popular series can be very difficult to find (they don’t even have to be that old). Anime companies have distinct advantages over fansubbers, because they can pay people to work for them and they can work on their products every business day. The playing field is not completely uneven. BTW, when is iAnime starting up?
Another aspect I want to point out is that products do not only include DVDs. Maybe those fansub-leeching fanboys only bought a Naruto plushie at the con, but how many people would have bought a Naruto anything without the ready-made audience that the fansubs provided? I can’t stress enough that it’s not as black-and-white as people seem to think. Just as another personal bit of evidence, I have spent hundreds upon hundreds of dollars on manga that I would not have bought if it were not for fansubs. This stuff is too expensive to buy blindly, and yet it’s not promoted that well. So maybe I never bought a single Kenshin DVD… however, I own every single volume of Kenshin manga as well as every Kenshin artbook, and even some Kenshin yaoi doujinshi (long story, it was a gift of misguided generosity). And these aren’t even the translated volumes! I probably would have bought the American version if not for the fact that I have no self-control and had already bought the Japanese versions by the time the translated volumes began coming out. If I had to blame anyone for my impulsive shopping, I’d blame the fansubbers.
What I think is happening is that the fansubbers create an environment where the American marketers have a prepared audience and established market data. When the DVDs hit the shelves, viewers want to know “Why should I pay money for this?” and have yet to be given a satisfactory answer. I think American marketers need to consider whether the potential customer have bought the product if he/she had never seen the fansub? If not, then perhaps the fault does not lay solely with the fansubbing community. You can’t depend on fansubbing as your sole marketing and then complain when it works too well. I don’t want to hear that I should feel guilty because I watched the fansub and didn’t buy the DVD when it finally came out; I want to hear why the DVD is so much better, and how great the quality of animation and translation are on the DVD version.
Here’s a final example of what I mean. Would you buy a whole season of say… Alias or The Chapelle Show without having watched any episodes? What if you enjoyed it, but not enough to pick up the season on DVD? Would you have bought it if you hadn’t watched it and enjoyed it? After you watched it and enjoyed it, is the probability that you will buy the DVD or recommend it to a friend lessened from when you knew nothing about the series and saw the DVD? I’m not putting forth the answers, just the questions.
I can’t help being skeptical about how big and bad fansubbers are made out to be. This isn’t the same as ripping a CD, because it takes a lot of work to sub an episode of anime. If the losses are so horrible, why not just pay the fansubbers to not not release fansubs? Or hire them for goodness sake! Are companies saying that they cannot compete against the swelling ranks of god-like teams of unpaid volunteers that sub anime in their free time?
One disturbing trend, however: Mahou Sensei Negima. I can seriously see this being the industry’s answer to fansubbing. Take a great series, give it crap animation on TV, and then on the DVD offer completely redone episodes. Fiendish!
Related posts:
- Them Anxious Times
- A Look Ahead @ Next Season
- Jubei-chan 2 Review
A Few Thoughts on Fansubs
So, in reference to an article that Scott posted up, which was in turn inspired by an article that Satoshi pointed out, here are a few thoughts about fansubs. Of course, I can see the evils and dangers of fansubbing, but I wanted to make a few counterpoints as well. Now this is in no way meant to be a diss or even a true rebuttal; I simply like to play devil’s advocate. In fact I was going to leave this as a comment, except that it started to get too long, and I totally respect Scott’s opinion on the matter.
The natural question is whether or not the evils of fansubbing outweigh the good. If there weren’t two sides to the coin, we wouldn’t have any argument. Scott declares that fansubs are killing the anime market in the US, but I can’t say I’m convinced. One of the main reasons I disagree is that the anime market is quite new in this country. It’s not as if fansubs are impossible to compete against either. When dealing with fansubs, you often give up picture quality, timeliness, translation quality, and availability in exchange for the fact that the fansub is free. Although it’s not a perfect analogy, bottled water has shown that you can compete against free products. I’m of the opinion that anime marketers in this country have not yet learned to market to their audience properly yet. With such a nascent industry, how can one state definitively that the fansub community is killing the market, especially when the market was born rather recently out of the hard work of the fansub community? Was there a golden age of anime sales in America that suddenly died as fansubbing activity increased? I’m not ruling out this possibility, it’s just that I’d like to see some data or studies before I will be swayed to believe these claims.
When I say availability, you have to think about series that are not hot on the fansubbing radar. As an example, I have been waiting to learn the end of Kaleido Star for goodness knows how long. As soon as I move to a place where I have more space (I have to store my manga in plastic bins under the bed for lack of space), I plan on purchasing the series, especially since it’s unlikely that the fansubs will ever finish up. However, if not for the fansubs, I would never have touched KS with a 10-foot pole. If you wanted to watch Naruto episode 136, and it was out on both fansub and DVD right this instant, the fansub would definitely be more popular, but what about if you are looking for the arc where Haku met his end? Here’s where the DVD market becomes more attractive, because torrents don’t last forever, and anyone who watches fansubs can tell you that older episodes of even popular series can be very difficult to find (they don’t even have to be that old). Anime companies have distinct advantages over fansubbers, because they can pay people to work for them and they can work on their products every business day. The playing field is not completely uneven. BTW, when is iAnime starting up?
Another aspect I want to point out is that products do not only include DVDs. Maybe those fansub-leeching fanboys only bought a Naruto plushie at the con, but how many people would have bought a Naruto anything without the ready-made audience that the fansubs provided? I can’t stress enough that it’s not as black-and-white as people seem to think. Just as another personal bit of evidence, I have spent hundreds upon hundreds of dollars on manga that I would not have bought if it were not for fansubs. This stuff is too expensive to buy blindly, and yet it’s not promoted that well. So maybe I never bought a single Kenshin DVD… however, I own every single volume of Kenshin manga as well as every Kenshin artbook, and even some Kenshin yaoi doujinshi (long story, it was a gift of misguided generosity). And these aren’t even the translated volumes! I probably would have bought the American version if not for the fact that I have no self-control and had already bought the Japanese versions by the time the translated volumes began coming out. If I had to blame anyone for my impulsive shopping, I’d blame the fansubbers.
What I think is happening is that the fansubbers create an environment where the American marketers have a prepared audience and established market data. When the DVDs hit the shelves, viewers want to know “Why should I pay money for this?” and have yet to be given a satisfactory answer. I think American marketers need to consider whether the potential customer have bought the product if he/she had never seen the fansub? If not, then perhaps the fault does not lay solely with the fansubbing community. You can’t depend on fansubbing as your sole marketing and then complain when it works too well. I don’t want to hear that I should feel guilty because I watched the fansub and didn’t buy the DVD when it finally came out; I want to hear why the DVD is so much better, and how great the quality of animation and translation are on the DVD version.
Here’s a final example of what I mean. Would you buy a whole season of say… Alias or The Chapelle Show without having watched any episodes? What if you enjoyed it, but not enough to pick up the season on DVD? Would you have bought it if you hadn’t watched it and enjoyed it? After you watched it and enjoyed it, is the probability that you will buy the DVD or recommend it to a friend lessened from when you knew nothing about the series and saw the DVD? I’m not putting forth the answers, just the questions.
I can’t help being skeptical about how big and bad fansubbers are made out to be. This isn’t the same as ripping a CD, because it takes a lot of work to sub an episode of anime. If the losses are so horrible, why not just pay the fansubbers to not not release fansubs? Or hire them for goodness sake! Are companies saying that they cannot compete against the swelling ranks of god-like teams of unpaid volunteers that sub anime in their free time?
One disturbing trend, however: Mahou Sensei Negima. I can seriously see this being the industry’s answer to fansubbing. Take a great series, give it crap animation on TV, and then on the DVD offer completely redone episodes. Fiendish!
Related posts: